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Critical approaches to the art of the short story: Syrian critics as example

Abstract

    The study shows the critical efforts made by Syrian critics in their study of the art of the short story. These efforts relied on references belonging to different approaches that alternated between historical, realistic, and psychological.

    The study also sought to reveal those theoretical references on which the critical process in the 1990s approaching the art of the short story was based, and the extent to which critics in Syria understood them, and to reveal the extent of compatibility between the theoretical and procedural levels, and the alignment of the methodology used with the characteristics of the text studied. I did not rely on this. The study is based on the critics’ statements only, which would inform the critical methodology used, but rather through insight into the critical process from within the critical body, because the criticism of the 1990s showed a kind of deception, which some critics practiced when they issued their critical bodies with a certain methodology, and then contradicted them in the mechanism they used.

Keywords: Syrian critics, short story, historical realistic, psychological