*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]" dir="auto" tabindex="-1" data-turn-id="request-WEB:6fb3289f-78dc-47f2-ac02-a667fbb1e872-1" data-testid="conversation-turn-4" data-scroll-anchor="true" data-turn="assistant"> مجلة التراث الأدبي مجلةٌ علميةٌ محكَّمةٌ نصفُ سنويةٍ ذاتُ طابعٍ بينيّ، تُعنى بالدراسات العربية، وتهدف إلى نشر البحوث التي تتناول الأدب العربي والإسلامي، واللغويات، والفلسفة، والتاريخ، والثقافة، والدين، والحضارة، وقضايا العصر، إضافةً إلى دراسات الترجمة المتصلة باللغة العربية وعلومها، شريطة أن تكون البحوث مكتوبةً أصالةً باللغة العربية؛ ولا تُقبل المقالات المترجَمة.
National University of Modern Languages, Islamabad
القصة العربية ودورها في بناء الهوية الإسلامية: دراسة تحليلية في ضوء السرد القرآني والتراثي والمعاصر
ملخص المقال: يتناول هذا البحث دور القصة العربية في بناء الهوية الإسلامية من خلال تحليل مستوياتها المختلفة، بدءًا من القصة في النص القرآني بوصفها المرجعية السردية العليا التي أسست للوعي العقدي والتربوي، مرورًا بالقصة في التراث العربي الإسلامي التي جسّدت هذه القيم في نماذج واقعية عبر السيرة النبوية وقصص الصحابة والتابعين والقصص الوعظي، وصولًا إلى القصة العربية الحديثة التي واجهت تحديات معاصرة تتعلق بالتغريب والتفكك القيمي، وسعت إلى إعادة بناء الإنسان والوعي في إطار مرجعية إسلامية. وقد اعتمد البحث المنهج الوصفي التحليلي، مع الإفادة من المقاربة السردية، للكشف عن الأبعاد العقدية والتربوية والتاريخية والفنية التي ينهض بها السرد في تشكيل الهوية. كما أبرز البحث أن القصة العربية لم تكن مجرد انعكاس للواقع، بل أداة فاعلة في صياغة القيم، وبناء النماذج، وتوجيه السلوك الفردي والجماعي. وتوصّل البحث إلى أن القصة القرآنية شكّلت الأساس المرجعي لبناء الهوية، وأن السرد التراثي أسهم في تجسيدها عمليًا، بينما أدّت القصة الحديثة دورًا حيويًا في حمايتها وإعادة صياغتها في ظل التحديات المعاصرة، مما يجعل السرد العربي أحد أهم الأدوات الثقافية في الحفاظ على الهوية الإسلامية وتعزيزها. الكلمات المفتاحية: القصة العربية، الهوية الإسلامية، السرد القرآني، التراث الإسلامي، القصة الحديثة
الحقوق الفكرية (c) 2026 Ghazala Shaheen https://creativecommons.org/licenses/by-nc/4.0
ملامح الخطاب الصوفي في شعر إبراهيم الدسوقي: دراسة لغوية وأسلوبية
This study examines the features of Sufi discourse in the poetry of Ibrahim al-Desouki through a linguistic and stylistic analytical approach. It begins with an introduction that outlines the historical development of Islamic Sufism and its transformation into a comprehensive discourse combining spiritual, ethical, and social dimensions, highlighting al-Desouki’s prominent position within this tradition. The first section analyzes the manifestations of the Sufi experience in his poetry, focusing on key concepts such as divine manifestation, annihilation (fanā’) and union, divine love, and inner knowledge (kashf). It demonstrates how these concepts are transformed into poetic structures characterized by symbolism, suggestion, and semantic paradox. The second section explores the linguistic and stylistic features of his poetry, including semantic fields of Sufi vocabulary, repetition as a tool of semantic intensification, and rhetorical and symbolic imagery that shape the poetic discourse. The study adopts a descriptive-analytical method based on selected poetic examples within their Sufi context. The study concludes that al-Desouki’s poetry represents a coherent model of Sufi discourse in which language and spiritual experience are deeply intertwined, and stylistic expression becomes a means of revealing inner meaning, thus producing a distinctive aesthetic and semantic depth.
الحقوق الفكرية (c) 2026 Aysha yaqoob, Dr Nasreen Akhtar https://creativecommons.org/licenses/by-nc/4.0
الصورة الشعرية في تشكيل الوطن في شعر الرواد
يتناول هذا البحث دور الصورة الشعرية في تشكيل مفهوم الوطن في شعر الرواد، من خلال دراسة التحولات التي طرأت على بنية الصورة في القصيدة العربية الحديثة. وقد انطلق البحث من تمهيد نظري يبرز مكانة الصورة الشعرية بوصفها أداة مركزية في بناء الدلالة والتعبير عن التجربة الشعرية، مع الإشارة إلى التحولات التي شهدها الشعر العربي الحديث مع جيل الرواد. ثم عالج البحث في المحور الأول كيفية تشكّل صورة الوطن في الوعي الشعري، حيث يتدرج الوطن من إحساس جزئي بسيط إلى بناء دلالي مركب، من خلال تآزر الصور المفردة وتفاعلها داخل النص، كما ظهر ذلك في نماذج من شعر بدر شاكر السياب وعبد الوهاب البياتي. أما المحور الثاني فقد ركّز على الوطن بوصفه رؤية رمزية، حيث يتحول من واقع خارجي إلى فضاء تخييلي، تتداخل فيه الذاكرة بالحلم، والأسطورة بالواقع، ليغدو الوطن بنية رمزية مفتوحة تعبّر عن رؤية الشاعر وتجربته الوجودية. وقد خلص البحث إلى أن الصورة الشعرية في شعر الرواد لم تعد وسيلة وصفية، بل أصبحت أداة لإعادة تشكيل الوطن وبنائه دلاليًا وجماليًا، مما يعكس عمق التجربة الشعرية وخصوصيتها.
الحقوق الفكرية (c) 2026 Prof. Dr. Kafait Ullah Hamdani, Dr. Muhammad Javaid Majeed https://creativecommons.org/licenses/by-nc/4.0
الشواهد الشعرية وأثرها في توجيه المسائل النحوية في كتاب معارف السنن للبنوري
This article examines the poetic evidence cited by Shaykh Yusuf al-Banūrī in his book Maʿārif al-Sunan and analyzes its role in guiding grammatical issues related to the interpretation of Prophetic traditions. The study aims to highlight al-Banūrī’s methodology in employing Arabic poetry to clarify grammatical rules and interpret linguistic structures found in hadith texts. The research adopts an analytical approach by tracing the poetic citations in the book, analyzing them, and explaining their grammatical significance. The study is structured into three main sections: the first discusses the importance of poetic evidence in Arabic grammatical studies and its relationship to understanding religious texts; the second presents selected examples of grammatical poetic evidence cited by al-Banūrī in Maʿārif al-Sunan with analysis and explanation; and the third explores the scholarly value of these poetic citations and their impact on guiding both the linguistic and juristic understanding of hadith texts. The study concludes that poetic evidence plays a significant role in clarifying grammatical principles and interpreting linguistic meanings within hadith literature, and that al-Banūrī effectively utilized such evidence to support linguistic and interpretive analysis in his commentary.
الحقوق الفكرية (c) 2026 Dr Hafiz Muhammad Saleem https://creativecommons.org/licenses/by-nc/4.0
دَورُ التّرجمةِ الأدبيّةِ في ربط التّواصلِ بين الثقافةِ العربيةِ والثقافةِ الأردية قراءةٌ في ترجمة ِشِعرِ العلّامة محمد إقبال إلى اللّغة العربية
This research paper investigates a pivotal dimension in the construction of communicative bridges between Arab and Urdu civilizations, specifically examining the role of literary translation, as a contemporary communicative mechanism, in fostering cultural synthesis. The study explores how the rendering of Pakistani poetic works from Urdu into Arabic has served to link these two cultural spheres. This trend is particularly evident in the reception of major Pakistani literary figures whose translated reach has, in many instances, surpassed that of global literary icons. Central to this discourse is the prolific and qualitative translation movement surrounding the works of the eminent Pakistani poet, Muhammad Iqbal. While his oeuvre has been translated into most world languages, its extensive presence in Arabic has established him as one of the most historically prominent international poets within Arabic academic research. This "poetic migration" from Urdu to Arabic is a direct testament to the power of translation in forging indissoluble linguistic and cultural bonds.Building upon this foundation, the research attempts to evaluate the primary translatory efforts of Pakistani poetry into Arabic and analyze their role in integrating Urdu poetic models into the Arabic critical and academic landscape. Utilizing the translation of Muhammad Iqbal’s poetry as a primary model for study, the research addresses a fundamental problem: the definitive role of literary translation in facilitating communication between the Arabic and Urdu languages. Furthermore, it seeks to identify the specific translatory endeavors that distinguished Muhammad Iqbal’s reception in the Arab world. To address these questions, the study employs a historical-survey methodology to map the trajectory of past translation experiences and Arab-Pakistani cultural relations. This is complemented by an analytical approach to provide a critical reading of the translations of Iqbal’s poetry as executed by leading Arab translators
الحقوق الفكرية (c) 2026 Allaoua Koussa https://creativecommons.org/licenses/by-nc/4.0
الرحلة العلمية في خطاب علماء القراءات – قراءة أدبية في أسفار ابن الجزري-
This study examines and analyzes a central dimension in the development of Islamic sciences, namely the role of scholarly journeys (riḥlāt ʿilmiyya) in the emergence, consolidation, and dissemination of the science of Qurʾānic readings (ʿilm al-qirāʾāt). It adopts Imām Ibn al-Jazarī (d. 833 AH) as a representative case through which this scientific and pedagogical phenomenon is clearly manifested. The study proceeds from the premise that scholarly travel occupied a foundational position in Islamic intellectual culture, serving as a primary means for acquiring knowledge, verifying transmission, and ensuring methodological rigor. This practice was not confined to ḥadīth scholars but extended to all disciplines, including Qurʾānic readings, where travel became a criterion of scholarly authority, perseverance, and precision in transmission. The core of the study focuses on the chronological stages of Ibn al-Jazarī’s life, which are divided into five distinct periods to facilitate a clearer understanding of his biography and extensive travels. Each phase is examined in terms of its major stations, circumstances, and decisive moments. Drawing primarily on Ibn al-Jazarī’s own works—Ghāyat al-Nihāya fī Ṭabaqāt al-Qurrāʾ and Jāmiʿ al-Asānīd—the study demonstrates that his journeys constituted a comprehensive scholarly project that contributed significantly to the codification of Qurʾānic readings, the authentication of transmission chains, and the expansion of scholarly networks across the Islamic world. The article concludes that Ibn al-Jazarī’s experience represents a paradigmatic model of scholarly travel as an essential mechanism for preserving the integrity of Qurʾānic transmission.
الحقوق الفكرية (c) 2026 Dr. Jawad Khalil Gholosh https://creativecommons.org/licenses/by-nc/4.0
المكان والزمان في رواية مسرى الغرانيق في مدن العقيق
المكان والزمان في رواية " مسرى الغرانيق في مدن العقيق" الملخص: يتناول البحث موضوعًا مهمًا يتعلق بأدب الرحلات، حيث تعد رواية " مسرى الغرانيق في مدن العقيق" للأديبة السعودية أميمة الخميس الحائزة على جائزة نجيب محفوظ عام 2018 م من أبرز الروايات العربية المعاصرة المتأثرة بما -يسمى (أدب الرحلات). وقد اتخذت من سيرة بطلها (مزيد الحنفي) الذي انطلق من منطقة اليمامة في وسط الجزيرة العربية، وتنقل بين البلدان هناك شغوفاً بالسؤال وبخاصة سؤال المعرفة، وتوقف برهة في بغداد؛ ويصف لنا في أثناء رحلته كل ما يمر به من بلاد، وخلال هذه الرحلة يجمع الكتب، ويعرض لعادات سكان هذه البلاد وطبائعهم، وثقافاتهم، وتقاليدهم، وخصائصهم، وتكوينهم الديني، والاجتماعي. وفي هذا البحث سنستعرض بشكل مختصر عن أشكال حضور المكان والزمان في هذه الرواية السعودية المميزة من أدب الرحلات، مع ذكر نبذة بسيطة عن الرواية والروائية، وأيضاً ذكر نشأة أدب الرحلة بشكل مختصر، إذ لا يسع المقام لذكر التفاصيل، ومن أراد الوقوف عليها فهناك كتب ومقالات ورسائل جامعية كثيرة أسهبت في هذا الموضوع قديماً وحديثاً. الكلمات المفتاحية: أدب، الرحلة، سعودي، أميمة الخميس، مسرى الغرانيق. أهمية البحث: - يعد أدب الرحلات من أهم الآداب في الثقافة العربية والإسلامية، وله تأثير كبير على الأدب العربي بشكل عام. - مكانة رواية "مسرى الغرانيق في مدن العقيق " حيث حصلت هذه الرواية على جائزة نجيب محفوظ للرواية من الجامعة الأمريكية بالقاهرة في دورتها عام ٢٠١٨ م. وجاء في حيثيات منح الجائزة أنها رواية جادة تتناول الزمن الحالي من خلال التاريخ، وأضافت لجنة الجائزة أن لغة الكاتبة تتميز بالعذوبة، ويضفي النص على مدن العقيق المعرفة النادرة الثمينة، فكان من الجدير البحث فيها ودراستها. - اهتمت رواية "مسرى الغرانيق في مدن العقيق" للروائية السعودية أميمة الخميس، اهتماماً بوصفها رواية رحلية، بالوقوف المتمهل أمام حيثيات الأماكن؛ لكونها أحد العناصر الرئيسة في البنية السردية الروائية. منهج الدراسة: تعتمد الدراسة على المنهج التاريخي التحليلي، وذلك من خلال تتبع النصوص الرحلية في رواية "مسرى الغرانيق في مدن العقيق" ، المناسبة لرصد حضور أشكال المكان والزمان في الرواية، وكان الاعتماد في بعض الأحيان على الشبكة العنكبوتية بسبب حداثة الموضوع. الدراسات السابقة: لم تعتنِ الدراسات السابقة بأدب الرحلة في رواية "مسرى الغرانيق" ؛ بل جاء الحديث عن أدب الرحلة، وأعلامه بصورة عامة، أو تناولت بعض الدراسات رواية "مسرى الغرانيق" من نواحِ روائية أخرى، فمن أبرز تلك الدراسات ما يلي : -أدب الرحلة في المملكة العربية السعودية/ عبد الله آل حمادي. -أشكال حضور المدينة في رواية (مسرى الغرانيق في مدن العقيق) لأميمة الخميس /حمدة العنزي. -ثنائية التاريخ والتخييل في رواية مسرى الغرانيق في مدن العقيق لأميمة الخميس/هيلة العساف. -أنسنة الحدث التاريخي في رواية (مسرى الغرانيق في مدن العقيق) لأميمة الخميس/ سلطان الخرعان. خطة البحث: تتكون الدراسة من مقدمة، وتمهيد، وخمسة مباحث، وخاتمة؛ على النحو التالي: تمهيد : نشأة أدب الرحلة. المبحث الأول: التعريف بأدب الرحلة. المبحث الثاني: لمحة عن الكاتبة أميمة الخميس، ورواية "مسرى الغرانيق في مدن العقيق". المبحث الثالث: الأماكن والمدن في رواية " مسرى الغرانيق مدن العقيق". المبحث الرابع: الزمان في رواية " مسرى الغرانيق في مدن العقيق". المبحث الخامس: توظيف أدب الرحلة في رواية " مسرى الغرانيق في مدن العقيق". الخاتمة: تحتوي على أهم النتائج والتوصيات.
الحقوق الفكرية (c) 2025 Ayesha Hafiz https://creativecommons.org/licenses/by-nc/4.0
النظم والسياق عند أمين أحسن الإصلاحي وأثرهما في دلالة التنكير في تفسيره "تدبر قرآن"
This study examines Amin Ahsan Islahi’s (1904–1997) concept of Nazm—the coherent structural organization of the Qur’anic text—and its essential interplay with contextual indicators in determining the semantic functions of indefiniteness (tankīr) in Tadabbur-e-Qur’ān. The research is grounded in the premise that Nazm cannot be understood independently of context and that the true meaning of any lexical unit emerges only through its syntagmatic position and its connection to the larger structural unity of the discourse. Islahi rigorously adopts this principle, employing Nazm as a criterion for eliminating contextually detached interpretations and affirming the Qur’an as an integrated system whose parts mutually reinforce a single, purposive meaning. The study demonstrates that Islahi treats indefiniteness not as a fixed grammatical category but as a dynamic, context-driven semantic phenomenon. While magnification appears as the dominant value of tankīr, other contextual functions—such as minimization, generalization, multiplicity, disparagement, gradation, and deterrence—also emerge. Applied analyses illustrate how meanings develop from the interaction between lexical choice, textual position, and structural coherence, exemplified by the magnifying nuance of ma‘ād, the disparaging nuance of qawm, and the multiplicity implied in kalima. The research is organized into three main axes: the first outlines the concepts of tankīr, Nazm, and contextual theory; the second analyzes Islahi’s conception of Nazm in light of positional context within Tadabbur-e-Qur’ān; and the third investigates the impact of Nazm on determining the contextual meanings of indefiniteness. The study concludes that nazm and context form an inseparable interpretive framework in Islahi’s methodology, making contextual tankīr a central tool in unveiling Qur’anic meanin.
الحقوق الفكرية (c) 2025 Dr. Munawarah Bibi https://creativecommons.org/licenses/by-nc/4.0
الدراسة الصرفية لقصة سليمان النبي  مع الهدد في ضوء علم اللغة النفسي
This research paper encompasses a morphological study of the Qur’anic story of Prophet Sulayman (peace be upon him) and the hoopoe, viewed through the lens of psycholinguistics. The study investigates the interrelation between morphological structure and psychological meaning in Qur’anic discourse, focusing particularly on the augmented triliteral verb forms and their semantic and emotive implications. Adopting a descriptive-analytical methodology grounded in Arabic morphology and psycholinguistic theory, the research classifies and analyzes the morphological patterns occurring within this story, tracing their frequency, contextual variation, and psychological resonance. The analysis reveals that Qur’anic morphology operates not merely as a grammatical mechanism but as an artistic and affective tool that evokes emotions such as amazement, mercy, affirmation, and divine warning. The study demonstrates how morphological patterns in the Qur’an function to intensify the emotive power of divine speech and to embody theological concepts such as monotheism and divine justice. The findings highlight the psychological depth of Qur’anic language, showing that morphology contributes significantly to the spiritual and emotional impact of the text. This interdisciplinary approach reinforces the inseparable link between linguistic form and inner meaning in the Qur’an, suggesting that future studies integrate morphological and psycholinguistic analysis to further uncover the aesthetic and psychological dimensions of the sacred text.
الحقوق الفكرية (c) 2025 Dr. Sumaira Saghir Ahmed https://creativecommons.org/licenses/by-nc/4.0
جوانب بلاغية في تفسير الخطيب الشربيني "السراج المنير في الإعانة على معرفة بعض معاني كلام ربنا الحكيم الخبير"
There is no doubt that the rhetorical approach constitutes one of the key dimensions of Qur’anic inimitability (iʿjāz). From this perspective, the present study explores aspects of this miraculous eloquence as reflected in Al-Sirāj al-Munīr, the Qur’anic exegesis of Al-Khatib Al-Sharbeeni—an eminent scholar of the Shāfiʿī school. The research reveals that although primarily a jurist, Al-Sharbeeni devoted considerable attention to rhetorical analysis in his commentary, making his work a rich source for understanding the intersection of jurisprudence, grammar, and eloquence. The study aims to determine the extent of his interest in rhetorical studies and to uncover the aesthetic subtleties and expressive nuances that demonstrate his mastery of linguistic artistry. Employing both descriptive and analytical methodologies, the research traces the rhetorical phenomena within his exegesis and evaluates their interpretative significance. The findings show that Al-Sharbeeni’s style closely resembles that of al-tafsīr al-hidā’ī (guidance-oriented exegesis), characterized by brevity, clarity, and depth of meaning. His integration of linguistic and artistic elements enriches the interpretive texture of the Qur’anic text. Notably, he rejects the term sajʿ (rhymed prose), preferring fāṣilah instead, arguing that sajʿ pertains to poetry and should not be ascribed to the Qur’an. However, the study observes that Al-Sharbeeni sometimes adapts rhetorical analysis to defend his Ashʿarī theological stance, which may conflict with contextual or textual indications. The research concludes by recommending a concise version of Al-Sirāj al-Munīr following the tafsīr al-hidā’ī model, given its linguistic richness and readability, and by highlighting its rhetorical insights as a valuable area for further scholarly investigation.
الحقوق الفكرية (c) 2025 Dr. Sultan Abdullah Al-Azmi https://creativecommons.org/licenses/by-nc/4.0
تجلّيات المحبّة الربانية في الخطاب القرآني للنبيّ المصطفى
This study explores the manifestations of Divine Love for the Prophet Muhammad ﷺ as reflected in the Qur’anic and Prophetic discourse, analyzing its rhetorical, symbolic, and Sufi dimensions. Adopting an objective–rhetorical methodology, it draws upon the Qur’an, Hadith, classical exegesis, and Sufi writings to provide a comprehensive view. The research demonstrates that Divine Love for the Prophet ﷺ is not merely a personal honor but a cosmic language of mercy and intimacy, expressed through elevation, purification, reassurance, and divine consolation. It further argues that this sacred love transcends the boundaries of time and space, becoming a universal human paradigm in which Qur’anic eloquence converges with Sufi vision to establish a spiritual and civilizational model grounded in mercy.
الحقوق الفكرية (c) 2025 Dr. Yasmeen Akhtar https://creativecommons.org/licenses/by-nc/4.0
الزوايا والمدارس القرآنية في أقاليم توات ودورها في نشر العلم والمحافظة على المخطوطات
The zawiyas and Quranic schools in the Tuat region are among the most prominent and important scientific institutions in the dissemination of knowledge and preservation of manuscripts, given the fundamental roles they have played since their establishment by allocating a large part of their endowments to education in terms of support and provision, and by providing many manuscript and book collections that have served as a fundamental resource for both students and seekers of knowledge.
الحقوق الفكرية (c) 2025 Prof. Dr. Ahme Jaafri https://creativecommons.org/licenses/by-nc/4.0
الدلالة النفسية للتراكيب اللّغوية ( الخبريّة والإنشائيّة) في قصص القرآن الكريم امرأة عمران أنموذجاً
Linguistic structure represents a fundamental basis in text analysis, especially in Qur'anic texts, which are characterized by precision of expression and depth of meaning. Linguists and grammarians have paid great attention to studying the components of the Arabic sentence in terms of predication, considering it the core of structure, as the sentence consists of two essential parts: the predicate and the subject, both of which are necessary for conveying a complete meaning, whether the sentence is nominal or verbal. The linguistic process begins with sounds that form words, which then combine into sentences, and these sentences connect to produce complete speech. Grammatical studies reveal how words are interconnected within the sentence to generate psychological and semantic meanings, emphasizing that understanding meanings can only occur through this interrelation among words. In this context, the study of declarative sentences in the story of the wife of ʿImrān highlights the depth of psychological and semantic dimensions they contain. Despite their declarative nature, these sentences carry sincere emotions of supplication, hope, and submission to God, reflecting a spiritual state filled with longing for offspring and blessings. This makes them a rich subject for linguistic, psychological, and semantic analysis.
الأستاذة الدكتورة فاطمة رجب حسانين الباجوري
الحقوق الفكرية (c) 2025 khadija ABDULHAMEED TLAY, Prof. Dr. Fatima Rajab Hasanin Al Bajury https://creativecommons.org/licenses/by-nc/4.0
قصة سليمان-عليه السلام- مع الهدد في ضوء علم اللغة النفسي (دراسة صوتية)
This study presents a psycho-phonetic analysis of the story of Solomon (peace be upon him) and the hoopoe, as narrated in the Holy Qur’an. It draws upon the field of psycholinguistics, which explores the connection between language and human emotions, and examines how sounds contribute to the expression of feelings and psychological connotations. The research aims to analyze the phonetic structure of the Qur’anic narrative in this particular episode by classifying consonant sounds, tracing their frequency and significance in context, and seeking to understand the psychological impact they produce in terms of meaning and emotional resonance. The study highlights how Qur’anic discourse employs sound as both an aesthetic and psychological tool to convey emotions such as anger, astonishment, affirmation, warning, mercy, and monotheism, along with other interwoven feelings masterfully expressed through a rich soundscape. The study further emphasizes the strong link between phonetic structure and psychological meaning, asserting that the Qur’an possesses unique linguistic features that render it exceptional in its psychological and spiritual impact. Understanding this effect requires a deep dive into the linguistic field from a psychological and contemplative perspective.
الحقوق الفكرية (c) 2025 Dr Sumaira Saghir Ahmed, Asifa Mariam https://creativecommons.org/licenses/by-nc/4.0
نشيد القلب في مواجيد الألم ومراقي الأمل في الشعر العربي الحديث
This study explores the dual theme of complaint and hope in modern Arabic poetry, portraying it as a profound human voice that expresses emotional and spiritual experience in moments of fragility and reflection. Complaint is not treated merely as a lament or expression of suffering, but as a contemplative and artistic mode that elevates personal pain into a search for transcendence and light. The research adopts a critical literary analytical approach with symbolic and Sufi dimensions, focusing on selected poems by notable poets such as Hafez Ibrahim, Abu al-Qasim al-Shabbi, and Abdul Rahman Shukri. It demonstrates how complaint and hope intertwine in political, social, and emotional contexts, often taking on mystical overtones—transforming lament into supplication, and sorrow into a yearning for justice and divine truth. The article analyzes symbolism, musical structure, and emotional language, showing how these poets turn suffering into a spiritual journey toward hope. Rich imagery and symbolic expressions (such as fire, rain, the path, justice, and the companion) are employed to reflect the soul’s internal conflict and its longing for deliverance. At times, complaint becomes a form of divine address, making the poem a Sufi voice echoing existential anxiety and the need for guidance. The study concludes that in these poetic examples, complaint transcends emotional or social catharsis to become an act of conscious artistic expression—infused with philosophical, spiritual, and aesthetic meanings. Poetry becomes a channel for invoking truth and climbing toward hope through the depths of pain. Keywords: Complaint, hope, modern Arabic poetry, symbolism, Sufism, emotional experience, Sufi perspective, poetic expression, self and cosmos.
الحقوق الفكرية (c) 2025 Yasmeen akhtar https://creativecommons.org/licenses/by-nc/4.0
التطور التاريخي في كتابة السيرة الذاتية: تحليل مقارن للآداب العربية والغربية القديمة والحديثة
The study of auto-biography in the history of Arabic and western literature is a study of its own initiative purposes, types, styles and its impacts that’s indicate the boldness and authenticity of its author on his/her recognition in social and moral traditions. As we know that biographies in both Arabic and western literatures are becoming increasingly interesting branch of modern comparative literature and literary criticism that is why the both levels of literature: comparative study of auto-biography and critical analysis of auto-biography accurate and developed the writing lacks of self-translation, autobiography and resume or curriculum vita. This research article aims to explore the historical background and features of the art of writing autobiography in Arabic western comparative literature. As The research examines the art of writing autobiography in both literatures, history and traces its origins to the ancient Arab customs and traditions. There are several examples of autobiographies in classical Arabic literature that shed light on the art of writing autobiography in Arabic literature. The paper also follows the comparative methodology in the data analyses and focuses on the historical developments of resume writing in the ancient and modern literature’s, siyar’s, self-translation’s, biographies’ and auto-biographies’ books etc. KEYWORDS: AUTO-BIGRAPHY, TYPES, HISTORY, COMPARATIVE, WESTREN, ARABIC.
الحقوق الفكرية (c) 2025 Dr. Muhammad Faisal, Dr. Muhammad Aslam https://creativecommons.org/licenses/by-nc/4.0
المخطوطات الجزائرية في الخزائن والمكتبات الإفريقية (مكتبة ماما حيدرة للمخطوطات والوثائق (مالي) أنموذجا
تزخر الخزائن والمكتبات الأفريقية بالعديد من المخطوطات التي تنسب في تأليفها لعلماء جزائريين من مختلف مناطق الوطن ، ولعل من أشهر مراكز المخطوطات الجزائرية بإفريقية مركز ماما حيدرة بمالي، الذي يضم بين جنباته ما يقارب المائتين وعشرين مخطوطا لعلماء جزائريين فقط . تأسست هذه المكتبة في أواسط القرن التاسع الهجري ( 09 هـ) الموافق للقرن الخامس عشر الميلادي ( 15 م) في قرية بمبا في محافظة بورم بإقليم غاوى على يد الشيخ محمد الأمين الجد الأعلى لأصحاب المكتبة الحاليين .وتحتوي المكتبة حاليا أزيد من ثلاثة آلاف مخطوط ( 3000 ) موزعة على موضوعات مختلفة أهمها :علوم القرآن ، الحديث ، الفقه ، التوحيد ، الأدب ، النحو ، التصوف ، الفلك بالإضافة إلى أزيد من ألف وثيقة (من رسائل ، وفتاوى، وعقود وغيرها) (*/01).
الحقوق الفكرية (c) 2025 Prof. Dr. Ahmed Jafri https://creativecommons.org/licenses/by-nc/4.0
تمدد الفكر الحداثي في العقل العربي رأي طه حسين في الفلسفة اليونانية نموذجًا
فرضت الحداثة الغربية نفسها على العالم مع مطالع الحركة الاستعمارية والكشوف الجغرافية الحديثة، وقد اضطربت أكثر المجتمعات الشرقية في استقبال هذه الحداثة وكأنها فوجئت بها. لكن يبدو أن العالم الإسلامي كان الأكثر اضطرابًا في هذا الاستقبال، مما قد يرجع سببه إلى طول التنافس بينه وبين صناع الحداثة، وكذلك شعور المسلمين القويّ بهويتهم الخاصة التي وضعتها المنظومة الجديدة في مهب اختبار صعب. ولعل أوضح تجليات اضطراب العالم الإسلامي في استقبال الحداثة تمثل في تواري الموقف المعتدل منها زمنًا طويلا، وسيادة المواقف المتطرفة منها؛ سواء الرافضة لها تمامًا، أو المتماهية معها كليًا، حتى احتجنا وقتًا طويلا لنصل إلى وجودٍ معتبر للموقف المعتدل الذي لا يرى الحداثة إلا تجربة إنسانية لها أصولها ونتائجها مما يتفق مع ثقافتنا ويتعارض، فليست خيرا مطلقا ولا شرًا خالصًا كما هو شأن التجارب الإنسانية عمومًا. ولا يخفى أن العالم لم يكن مخيرًا بين أن يقبل الحداثة الغربية أو يرفضها؛ لأنها جاءت وفي يدها القوة السياسية والعسكرية والقدرة على تسويق ما لديها. غير أن الاختيار الواعي بإزاء هذا الزحف كان جديرًا بأن يجنب المجتمعات المستقبِلة كثيرًا من الصراعات والسلبيات الوافدة من خلف الحدود، وقد تنجح في طريقها هذا في تحويل التلاقي مع الحداثة إلى فرصةٍ تجدِّد فيها مساراتها في الحياة.
الحقوق الفكرية (c) 2025 Prof. Dr. Nabil Fouly Muhammad https://creativecommons.org/licenses/by-nc/4.0
التكنولوجيا ومناهج تعليم العربية: دراسة في الجامعات الإسلامية والعالمية
Education and technology have increasingly converged, especially in the context of teaching languages. Arabic, as one of the most significant global languages, has witnessed an array of technological advancements in its teaching methodologies. This study explores various online platforms and tools used to teach Arabic in Islamic and global universities. It highlights the increasing reliance on technology in modern educational systems, focusing on how these innovations have simplified teaching methodologies and expanded access to Arabic language learning. The study begins by outlining the transformative role of the internet in disseminating knowledge globally. It categorizes the types of online platforms offering Arabic language instruction, including personal websites, institutional platforms, and subscription-based or free resources. A detailed analysis is provided on the distinctive methods used by Islamic and global universities to incorporate technology into their Arabic language programs, noting the disparity in the availability of free and paid resources. Moreover, the research identifies key online resources, such as video tutorials, interactive games, and downloadable content, which make learning Arabic accessible and engaging. The study also discusses the challenges of integrating these resources into traditional curricula and emphasizes the importance of well-equipped educators and institutional support to maximize the use of these platforms. The findings reveal that while global universities often provide free access to high-quality Arabic language programs, Islamic universities tend to rely more on subscription-based models. This disparity calls for a strategic approach to leverage technology for wider dissemination of Arabic language instruction. The study concludes with practical recommendations for integrating online tools into Arabic language curricula to benefit learners across diverse contexts. Keywords: Arabic language teaching, technology in education, online language platforms, Islamic universities, distance education, Arabic learning resources.
الحقوق الفكرية (c) 2025 Shair Ali Khan, Dr. Nazir Ahmad Ahmad https://creativecommons.org/licenses/by-nc/4.0
تقنيات السير الذاتي في " تقرير إلى غريكو "لـ نيكوس كازانتزاكيس أنموذجا
In Report to Greco, Nikos Kazantzakis presents his autobiography as an extended letter to "Greco," a symbolic figure representing the ideal exiled artist of the modern era. The book discusses significant human and cultural issues, including the purpose of writing, through a narrative that interweaves the author's life, relationships, and creative process. Kazantzakis structures his narrative with binary oppositions, blending poetic language, symbolism, and allusions to create a unique artistic style. This study aims to explore the literary and artistic techniques Kazantzakis employs in his autobiography, analyzing how these elements contribute to resolving the internal conflicts that dominated his thoughts. His methods result in a poetic autobiography distinct from classical approaches. The narrative integrates elements of philosophy, poetry, spirituality, and history, reflecting Kazantzakis' profound contemplation of life and art. Through vivid metaphors, detailed descriptions, and layered imagery, Kazantzakis offers an introspective journey that connects personal experiences with universal themes. His work transcends traditional autobiographical frameworks by incorporating mythological and cultural elements, enriching the narrative with profound symbolism and emotional depth. This research highlights the innovative methods Kazantzakis used to transform his autobiography into a poetic and philosophical masterpiece, addressing the interplay between identity, creativity, and redemption.
الحقوق الفكرية (c) 2025 feghrour hala https://creativecommons.org/licenses/by-nc/4.0
سيميولوجية التواصل عند المرأة في روايات نجيب محفوظ ت (2006م)
تتعدد وسائلُ التواصلِ والتعبير والإبانة عن مقاصدَ ومكوناتِ النفس، فمنها: التواصل اللفظي، وهو الذي يتم عن طريق استخدام اللغة المنطوقة، والتواصل غير اللفظي ويتم عن طريق وسائلَ كثيرة يمكن تقسيمها إلى قسمين، الأول: أنظمة دلالية عضوية تعتمد على جسم الإنسان، وتتمثل فى: الإشارات، أو الحركات الجسدية، أو الهيئات والأوضاع الجسدية، وغيرها. القسم الثاني: أنظمة دلالية أدائية تعتمد على أشْيَاءَ خارجَةٍ عن جسم الإنسان، وتتمثل فى الملابس، والحلي، وبعض الأدوات التى تحمل دلالات متباينة فى المجتمعات، مثل: المنديل، والمسبحة، والمروحة، والمظلة، والعصا، وغير
الحقوق الفكرية (c) 2025 Sawsan Hasanen Ahmed https://creativecommons.org/licenses/by-nc/4.0
سمات الأنا الشعرية الأنثوية الحداثية بين روضة الحاج وفروغ فرخزاد (مقدمة نقدية نفسية مقارنة)
The poetic ego is a modern expression must distinguish the poet who has a unique poetic personality. In the modern era, Ego witnessed many transformations, with the emergence of the romantic school, but the symbolic and existential schools created another form of the Ego, emerged from psychiatric clinics and was crystallized by the Austrian psychologist (Sigmund Freud), I intend to address one type of these new poetic transformations, classical characteristics of Female Ego in the works of the Sudanese poet Rawdha Al-Hajj compared to the Iranian poet Forough Farrokhzad." the Sudanese I will study the classical poetic female ego and its features, in their Arabic or translated into Arabic poetry. My study will be a critical comparative study in the light of the psychological approach. The expected outcomes of the study includes but not limited to, continuation of the traditional form of the poetic ego in modern poetry, and emergence of new forms of the poetic ego weak female ego. Keywords:.
الحقوق الفكرية (c) 2025 Baraa Khaled Hilal https://creativecommons.org/licenses/by-nc/4.0
جماليات الإيقاع الصوتي في موشحات ابن الصباغ الجذامي
تعددت مححات الأندلسية من أبرز الفنون الشعرية التي تجمع بين موسيقى الشعر، حيث امتزج فيها الجمال اللغوي بالإيقاع الموسيقي، مما أكسبها رونقاً خاصاً وأثراً عرفها في الأدب العربي، ومن بين الشعراء الذين برزوا في هذا الفن ابن الصباغ الجثامي، الذي أبدع في صياغة موشحاته الرائعة الفنية تميزت فيه بموسيقى الموسيقى وتنوع الإيقاعات. في هذه المقالة، سنتناول "جماليات إيقاع الصوت في موشحات ابن الصباغ الجذامي"، مسلط الضوء على كيفية توظيفه للوزن الشعرية، وتنغيم الكلمات، وتكرار الأصوات بشكل أفضل من لوحة الوشحة السمعية. سنتعرض أيضًا للعناصر الجمالية التي انتظرها الشاعر، خدمة الاتصال الهاتفي في نصوصه، وكيف تمازج إيقاع الصوت مع صور شعرية ليسوغ نصوصًا حتى لا ترى الكلمة لتجربة حسية مؤثرة في المتلقي.
الحقوق الفكرية (c) 2025 Ghassan Abdulmajeed, مطيع الله صفير أحمد https://creativecommons.org/licenses/by-nc/4.0
دراسة دلالية للأدب الديني المترجم: أحاديث القتال أنموذجا
Sword is a tool of fear when it is in the hands of cruel people showing the inhumanity of human. But when it is in the hands of good tempered people, those who believe in Allah, His last Prophet, and the last day in this universe which is full of civilized and uncivilized cultures, here the reality of humanity comes into light. Allah created humans with diverse nature, physique, and abilities. Some of them love to serve humans and among them who just want to rule them with cruelty and barbarism killing them, destroying them with various types of punishment. The history reveals these two faces of humanity in the story of two sons of Adam (عليه السلام). That is why Allah sent His messengers to teach, guide and lead humans to the right path, to the justice, and good deeds. The last Prophet Muhammad (صلى الله عليه وسلم) is Arab and the last revelation is in Arabic language which is rhetorically, linguistically and culturally a vast language. Translating this religious literature into other languages is a challenging task due to its complex and vast linguistic nature. The words of our Prophet Muhammad (صلى الله عليه وسلم) should be translated correctly from Arabic into other languages. The word used for fighting in the sayings of Prophet Muhammad (صلى الله عليه وسلم) contain deep meanings that cannot be understood without having a full comprehension of Arabic language and its culture. This study aims to analyze Ahadith as an example of religious literature that contains words of fighting and their translation to explain that Islam invites the humanity to peace.
الحقوق الفكرية (c) 2024 Dr. Shair Ali Khan https://creativecommons.org/licenses/by-nc/4.0
الملامح البلاغيۃ في كتاب أبي الحسن علي الندوي  "ماذا خسر العالم بانحطاط المسلمين"
ومن الموثق أن منطقة شبه القارة الهندية لها تاريخ طويل من أصل قديم، وهي من أخصب الأماكن على وجه الأرض من حيث الثقافة والعلوم والفن. وكانت مركزًا للفنون والعلوم. وقد أنتجت هذه المنطقة العديد من العلماء وخاصة في مجال الدراسات الإسلامية. ومنهم الشيخ أبو الحسن علي الندوي r. والشيخ أبو الحسن على الندوي درّة يتيمةٌ وعقد فريد من هذه الحلقة الميمونة من العلماء والمفكرين. وهو من الشخصيات البارزة في القرن الماضي، وقد أسهم الشيخ بمؤلفاته القيّمة وآرائه السديدة ومحاضراته النيرّة في مجالات متعددة، مثل الأدب والتاريخ والدعوة والتربية. وقد بذل الشيخ جهوداً مضنية في تناول الجوانب الدينية والأدبية والفكرية والدعوية، وحياة الندوي عبارة عن الجهود المتواترة في سبيل إحقاق الحق وإبطال الباطل، وإرشاد الأمة وإخراجها من ظلمات الحضارة الغربية وبراثن المادية والإباحية. تدور هذا البحث حول: الملامح البلاغية في كتاب أبي الحسن علي الندويr"ماذا خسر العالم بانحطاط المسلمين" وفي هذا البحث أركز على المباحث التالية : المبحث الأول: حياة الندوي بالإيجاز المبحث الثاني: "ماذا خسر العالم بإنحطاط المسلمين" أهميته وأسلوبه المبحث الثالث: أسلوب الندوي والسمات البلاغية في كتابه. نتائج البحث الكلمات المفتاحية: النثر الأدبي، الندوي، الملامح البلاغية، ماذا خسر العالم بإنحطاط المسلمين
الحقوق الفكرية (c) 2025 Dr. Amin Ali, Safdar Ali https://creativecommons.org/licenses/by-nc/4.0
Researchers in the field of literary and psychological studies agree that literature represents a field in which the meanings and emotions of the soul are expressed, and that sarcasm is an essence of psychological emotions that is manifested in many forms, including poetry. Accordingly, I decided to study irony in the emotional poetry of a prominent poet who occupies a distinguished position in Arabic literature, Bashar bin Burd, due to the unique value that his poetry has enjoyed throughout the ages. Bashar was a controversial figure because of the topics he organized, his position in society at the time, and his morals and behavior, which were considered a departure from law and custom, as described by biographers and literary historians. His poetry is considered a prominent embodiment of sarcasm, which is often characterized by boldness and reprehensibleness without specific limits, which extended to include a large part of his collection. Although some of the sarcasm in his poetry seems praiseworthy on the surface, most of it expresses the bad character that characterizes its author. This brief research includes the following points: 1st Chapter: The concept of Sarcasm and emotional poetry 2nd Chapter: Motives of sarcasm in Bashar's poetry 3rd Chapter: Sarcasm in the emotional poetry of Bashar bin Burd Conclusion of the research
الحقوق الفكرية (c) 2024 Muhammad Abdul Rehman https://creativecommons.org/licenses/by-nc/4.0
بلاغة الحذف فى صحيح البخاري الشريف: دراسة بلاغية
The Holy Quran and Noble Hadith are not only the first and second primary sources of Islamic Legislation but also considered as the primary sources in grammar, eloquence and rhetoric. Arabic language has contributed a lot in the fields of literature and research. The Holy Quran; the miraculous word of Almighty Allah was revealed in the Arabic Language, a challenge for the Arabs in eloquence and rhetoric. Furthermore, the Holy Prophet (Peace be upon him), was the most eloquent among the Arabs and Sunnah is the second primary source of Islamic Legislation. Sunnah has a great status among Muslims. I decided to study the deletions and appreciation in the sayings of the Prophet(Peace be upon him) choosing as a model for this study from the books of hadith, i.e Sahih al-Bukhari, the most authentic book after the Book of God Almighty. I made an inventory of the Ahadis in which the deletion occurred. Moreover, I decided to study the subject of the rhetoric of deletion in the sayings of the Prophet (Peace be upon him), choosing as a model for this study from the books of hadith, and I chose Sahih al-Bukhari as the most authentic book after the Book of God. I studied the term deletion linguistically and terminologically, then I mentioned the four types of deletion, and then the reasons for deletion and its purposes in the noble Prophet’s hadith.
الحقوق الفكرية (c) 2024 Dr. Muhammad Nasir Mustafa https://creativecommons.org/licenses/by-nc/4.0
التراكيب النحوية في شعر عبدالله بن المبارك: دراسة فنية
Abdullah bin Al-Mubarak was indeed a notable poet and scholar during the early Islamic era. He distinguished himself with an elegant and straightforward style in his poetry. His verses were characterized by eloquence, clarity, and a deep religious resonance. Abdullah bin Al-Mubarak's poetic skill was evident in his ability to craft verses that conveyed profound ideas with simplicity and sincerity. His poetry often delved into themes of asceticism, piety, death, and the afterlife. Studying Abdullah bin Al-Mubarak's poetry is significant because asceticism was prevalent in second-century AH poetry and was closely intertwined with the lives and societal norms of people from all walks of life. Asceticism served as a poetic motif through which various aspects of Arab life during ancient history can be discerned and understood. In this concise article, I present an artistic analysis focusing on the poetic compositions of Abdullah bin Al-Mubarak. The article is structured into two main sections and a conclusion. The first section discusses the life of Abdullah bin Al-Mubarak, while the second section explores the grammatical structures found in his poetry. The conclusion summarizes the most significant findings and outcomes of the research. Keywords: ascetic poetry, Abdullah bin Al-Mubarak, Islamic literature
الحقوق الفكرية (c) 2024 Dr. Ali Ghanim Saadallah Al-Thanoon https://creativecommons.org/licenses/by-nc/4.0
التأثير والتأثر بين الروايات العربية والرواية الغربية
ABSTRACT This article aims to study “The influence and influence between the Arabic novel and the western novel” and to explain the roles they contain in reviving the art of literature and language in the Islamic world. Especially among the muslim nation، the main purpose of the article is to highlight the value and high degree between the two novels in the society studied، and a tribute to the arab and Islamic libraries. The researcher follows the descriptive and inductive approach in presenting what he discusses. The study will be completed by mentioning evidence، models، and related matters in some of the important information it concludes. After that comes the conclusion، which includes all the research outcomes، then references and footnotes.
الحقوق الفكرية (c) 2024 MUHAMMAD SIRAJO ADAMU, ZAKARIYYA MUHAMMAD WADA https://creativecommons.org/licenses/by-nc/4.0
المقاربة الأسلوبية بين صرامة المنهج ورهان المعنى (رؤى ومقاصد)
This study is interested in the research of stylistic approach basics that seeks to interprete the literary discourse according to the linguistic levels searching on signification which uncover the letters, and visions hidden inside the text, as well as the echoes made by it and the emotional shades found behind it, and this comes through looking at it in an integrated way focusing on the partial examination of the language data that form its articulations and structure its gender. Alike other approaches, The stylistic method seeks to be different from self-criticism that burries the text in detention modes , by adopting objective accuracy that investigates science and logic, by relying on the prior elements of language sciences and the other close sciences in the field of stylistic studies, such as criticism, psychology and statistics according to strict methodological techniques that respect the basis and exceeds the abhorrent norm. Keywords: the stylistic, procedures, approach, integration, bet
الحقوق الفكرية (c) 2023 Prof. Dr. Abdessamiaa Mouffok https://creativecommons.org/licenses/by-nc/4.0